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                            鉴定估价>字画>八大山人双鹰图,从左至右大都会本上博本江西本,后故宫花鸟册>
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                            八大山人双鹰图,从左至右大都会本上博本江西本,后故宫花鸟册
                            2020/02/07 15:51:44467浏览/4评论 收藏 分享 切换查看平铺查看
                            “大都会本”的鹰喙及眼部墨线用笔肯定果断,其线条质感与八大山人的书风极为类似,也可谓是书法用笔。“上博本”则为细笔勾勒,其用笔显得迟疑且描摹气息浓重。尤其是前景之鹰的喙部线条,“大都会本”明显是以八大书风圆笔入方笔出而成,线条厚拙而舒展;而“上博本”则为典型的画家勾线笔法,以尖笔入略微回勾,由粗而细顺势而下,勾线显得过于娴熟而流于浮滑单薄。“南昌本”《双鹰图》,是三幅《双鹰图》中画面布局构图相对最粗率,笔墨也相对最简单的一幅。树石多用一个方向摆笔而成,单调乏味。浓墨与淡墨之间关系凌乱,枝干重墨双勾,生硬干涩。两只鹰所用笔墨设色单薄平面,缺乏层次变化,且翎毛描绘多有败笔,关系交代混乱。尤其于前景枝干所立之鹰的爪部,居然有错笔出现。两只鹰从整体看也是面露凶相,绝非八大笔下鱼鸟所露出的“禅定”气质。
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